The near-symmetry and tranquility of this location was what appealed to me when I painted the study for this scene a couple of years ago. In reality, I was awkwardly sitting (impossible to stand) on the shoulder of a busy highway very early on a chilly morning. I tried to imagine that I was somewhere warm and quiet. 14x11", oil on linen.
Saturday, April 23, 2011
Early Summer Tranquility
The near-symmetry and tranquility of this location was what appealed to me when I painted the study for this scene a couple of years ago. In reality, I was awkwardly sitting (impossible to stand) on the shoulder of a busy highway very early on a chilly morning. I tried to imagine that I was somewhere warm and quiet. 14x11", oil on linen.
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